Archive for April, 2009

Creative Loafing to Release just 500 Copies of Music Issue

Monday, April 27th, 2009

 

It’s time once again for the highly coveted annual Creative Loafing music issue. This year we’re offering up an honest-to-goodness old fashioned 12-inch vinyl LP compilation that features cuts from several of our favorite local artists.

Dubbed The Mixt A Vol. 1, the record includes 10 songs from the likes ofPredator, Grip Playaz, the Balkans, the N.E.C., A. Leon Craft, Anna Kramer & the Lost Cause, Mums F.P., Stanza,Carnivores and Zoroaster feat./ Brent Hinds from Mastodon.

The record is strictly limited to 500 copies that will be available at not one, but two record release shows. The first show happens at Eyedrum on Thurs, May 7. The $10 cover at Eyedrum gets you into the show as well as a copy of the record. The N.E.C., Grip Playaz, the Balkans and A.Leon Craft are all scheduled to perform. Doors open at 7 p.m. Music starts at 8 p.m.

 Read Full Article. By Chad Radford, Creative Loafing.

Gearing Up For Jazz Month

Friday, April 24th, 2009

The Atlanta Jazz Fest returns this spring with a monthlong series of shows around the city capped by a Memorial Day weekend slate of outdoor concerts at Grant Park.

Last year, the festival moved from Piedmont Park to downtown’s Woodruff Park to avoid wear and tear on drought-stressed Piedmont.

This year’s festival focuses on local artists and takes place in nightclubs, restaurants and concert halls throughout May.

The Grant Park shows, May 23-24, feature Atlantans Freddy Cole and Russell Gunn and West Coast smooth jazz fusion ensemble Hiroshima.

It’s the 32nd year of the Atlanta Jazz Fest, which has gone through many incarnations since its birth in the 1970s as a wild-haired, free-jazz celebration.

Read Full Article. By Bo Emerson, The Atlanta Journal-Constitution

Record Store Day 2009

Tuesday, April 14th, 2009

Criminal Records owner Eric Levin recalls a time in the not-so-distant past when it seemed like owning a record store was something to lament rather than celebrate.

A deluge of media chatter about music going digital forecasted nothing but doom and gloom for CDs, LPs and the stores that sold them. Behemoth chains like Tower and Virgin were going the way of the dodo, while downloading music for free via such file sharing sites as LimeWire was considered the future.

“For a time, whenever I met new people they would come up to me like I had cancer and say, ‘You own a record store? I’m sorry… .'” Levin says. “I felt as though I was being made the butt of a joke, which implies that I am a bad business person, and I bristled at that. Overnight, record stores had gone from being cool places to being something to almost be reviled.”

Rather than sit idly by while the cult status of mom-and-pop record shops deflated in the public’s eye, Levin — along with a handful of record store owners, employees, and marketing gurus from around the country — hatched a plan. On April 19, 2008, that plan came to fruition with the first Record Store Day. Dedicated to the institution of the independent record store, it was a Hallmark holiday of sorts that served as a beacon to remind the world that record stores still exist. The implications resonated around the world.

In Atlanta, Criminal Records transformed the Little Five Points parking lot into a carnival atmosphere complete with bands, DJs and a makeshift flea market for selling records. Stores threw parties in other cities as well. Newbury Comics in Boston, Grimey’s in Nashville, and Amoeba Records stores in San Francisco and Los Angeles all followed suit in what felt like a kitschy but successful grassroots campaign.

Read Full Article. By Chad Radford, Creative Loafing.

Kodac Harrison Plays Tonight

Friday, April 10th, 2009

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On Friday April 10, Atlanta musician/poet Kodac Harrison celebrates his 60th birthday and the release of his new live CD Reach For the Moon at Eddie’s Attic, 515 N. McDonough St. $10 (advance). $13 (door). 9 p.m.

Here, in his own words, is his story.

I grew up in Jackson, Ga., and my first influences came from Macon — Otis Redding and the Allman Brothers. I was a first lieutenant in the Army right after Vietnam, and training was cut back so I had plenty of time to play guitar and to read. I discovered John Steinbeck, who became my favorite author. My first professional gig was at a place called East of Eden in Salinas, California, about two months after I got out of the Army.

I moved up to a communal community in West Virginia and continued to play guitar. For several years I went back and forth between Georgia and West Virginia, but often felt isolated and longed for the excitement of the city. I moved up to New York City for awhile, and down in the Village a club owner told me I should put together a band and record an album. I knew I would have an easier time doing that in Atlanta, so I moved back and recorded my first album in 1984.

Read Full Article. James Kelly, Creative Loafing.

The Real Underground Atlanta Is Coming to Light

Sunday, April 5th, 2009

Killer Mike has been vocal about distinguishing authentic Atlanta rap from the emerging hipster-hop scene that’s taken root here in recent years. Now, he’s taking it to the recording booth with the scheduled release of a compilation album titledUnderground Atlanta.

Due in June ’09, the album will highlight a range of hood-happy and street-certified ATL artists from Gucci Mane to T.I. — who recently signed Mike to Grand Hustle Records.

Underground Atlanta will be released through Killer Mike’s own Grindtime Official imprint via his distribution deal with SRC/Fontana.

Read Full Article. By Rodney Carmichael, Creative Loafing.